Neal Patrick Harris plays the agent, and I found this to be the only miscast-not because NPH doesn't kill it but because he's recognizable and it sort of breaks the illusion that you're watching Cage's real life. When he loses out (cameo by David Gordon Green, who directed him in one of his best roles, Joe) on his dream part his agent suggests he do a birthday party for a billionaire in Spain who's a big fan. It is hard to know which is more pathetic: This young, stupid Cage or the older, neurotic one who is bullied by him.
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Play It Again, Sam!-style, he is advised by his alter-ego, a digitally de-aged version of himself from the Wild At Heart years who insists he's not an actor he's a movie star and that's what matters in life. So what is he doing in this movie?Ĭage plays himself, sorta, "Nick" rather than "Nic", a Hollywood actor who has all the same roles as the real Cage (with a fictionalized family) but who is in desperate need of constant validation, to the point that he grossly neglects his soon-to-be-ex-wife and daughter while running himself into debt with reckless purchases and living at the Sunset Towers. Some hate him, some love him and for some (probably most, though they're quiet) it depends entirely on what he's doing in the movie, and it is the last group that has the most to gain or lose from any given review of a Cage picture. Seems like a big lead-in, no? But that's because we got another Nicolas Cage movie: The Unbearable Weight of Massive Talent. What I try to do here is give you a sense of my experience watching something so that you'll get a sense of whether you might like it regardless of how I felt. For example, I don't think my mother or The Flower will like Everything but I think the Barbarienne will. I do recommend movies, but I do it for individuals that I know. (And I only liked four of those at the time!) You have to infer that any unqualified recommendation has the disclaimer "if you like this sort of thing, this is the sort of thing you'll like."
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If we go back 40 years to what some ignoramuses claim is the greatest year in movie history, our top ten certainly seems more "general" than the top ten of the past decade: E.T., Indiana Jones, Rocky III, On Golden Pond, An Officer and a Gentleman, Porky's, Arthur, Star Trek II, Best Little Whorehouse and Poltergeist. The point is, really, that there aren't a lot of General Audience pictures these days. The last time I recommended a film outright was on of the Christmas Ornaments suggestions, Joyeux Noel, and even there I didn't qualify only because of space constraints. There are a lot of reasons to dislike the film, from vulgarity, to absurdity, to a fairly close hewing to political correctness, to say nothing of its occasionally hyperkinetic style. Some of y'all read my review of Everything Everywhere All At Once and mistook my enthusiasm for that film as a recommendation, even though I qualified it six ways from Sunday. If you are a close reader (and who got time for that?) you may notice that I don't actually recommend movies very often, at least in any unqualified sense.
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Saturday Evening Movie Thread: The Unbearable Weight of Massive Talent -Open Blogger